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independence day 2: rebound is about to explode. most of london's landmark buildings will be destroyed in the movie. twenty years ago, the release of the first independence day completely changed the characteristics of summer blockbusters. "they all like landmark buildings." jeff goldblum said in the trailer for independence day 2: making a comeback. considering that london was buried by a large influx of alien debris two seconds later, goldblum's comment is not the most tactful, but perhaps he thinks london has been destroyed too often. this year alone, michael fassbender destroyed london's tower bridge in "x-men: apocalypse," london was badly hit in "london has fallen," and jonathan pryce threw a metal rod from an orbiting satellite at westminster in "special forces 2: total counterattack."

london is not the only city that has been attacked by this kind of crime, and the destruction of national landmarks often happens in cinemas. audiences are scared and scared by this kind of scene. they don't know how long ago it was. how did we get to this point? when did mass destruction become the daily routine of large-scale movies? in order to find the source of this regrettable beginning, one should look at the first independence day released 20 years ago. german director roland emmerich and u.s. producer dean devlin spent only three weeks writing independence day, in which greedy extraterrestrial creatures fly to earth undetected on a quarter-size carrier. the carrier spit out several flying saucers, each about 24.14km wide, circling in major population centers, like rain clouds in the old testament, and then separated by laser beams (or other things). this is when summer blockbusters become like the end of the century and are no longer interesting. independence day reaped the highest box office in 1996. it can be said that its influence is like those giant spacecraft that have enveloped hollywood ever since.